Israel and the Eurovision Song Contest

Israel has a long and vibrant history with the Eurovision Song Contest, debuting in 1973 and quickly becoming a beloved and often successful participant. The country’s involvement is not only a source of national pride but also a reflection of its diverse culture and musical talent.

Just a year after their debut, Israel secured their first victory in 1978 with Izhar Cohen and the Alphabeta’s catchy and uplifting “A-Ba-Ni-Bi”. This win brought the contest to Jerusalem the following year, a significant moment for the nation. To the surprise of many, Israel won again in 1979 with Gali Atari and Milk and Honey’s “Hallelujah,” a song that remains an Israeli classic. The logistical and financial burden of hosting two consecutive contests, however, led Israel to decline hosting duties in 1980, making it the only winning country to ever decline to host.

While victories have been interspersed, Israel has consistently delivered memorable performances and songs that resonate with European audiences. Dana International’s groundbreaking win in 1998 with “Diva” was particularly significant. Beyond being a captivating performance, Dana International, as the first openly transgender artist to win Eurovision, represented a major step for LGBTQ+ visibility and acceptance on a global stage. Her victory was not without controversy within Israel itself, highlighting the diverse and sometimes conflicting views within the country.

After a period of fluctuating results, Israel experienced a resurgence in the 2010s. Netta Barzilai’s powerful and unconventional “Toy” won in 2018, bringing the contest back to Israel for the first time in two decades. “Toy,” with its message of female empowerment and its catchy “chicken-like” clucking sounds, resonated with voters and critics alike, showcasing Israel’s ability to innovate and embrace contemporary trends.

Hosting the 2019 Eurovision Song Contest in Tel Aviv was a monumental event for Israel. The event was a spectacular showcase of Israeli culture, hospitality, and technological innovation. The contest itself was highly successful, further cementing Israel’s reputation as a capable and enthusiastic participant. However, it also faced political challenges, with calls for boycotts due to the Israeli-Palestinian conflict. The contest ultimately proceeded smoothly, showcasing the unifying power of music even amidst political complexities.

Israel’s Eurovision journey is a fascinating mix of musical success, cultural expression, and political considerations. The country’s contributions have enriched the contest, and its continued participation promises more memorable moments and diverse musical perspectives in the years to come.